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为年轻刽子手的辩护迅雷ed2k的剧情主要讲述了:This film can be called a modern version of"Gulliver's Adventures", adapted from Swift’s cynical sociopolitical satire Lubomir Kostelka playing modern Gulliver. He suddenly woke up after a car rollover and walked through a forest. , He began to look for a mysterious country, Leptay, because he heard that it was a wonderful place. On the way, he found a dead rabbit wearing human clothes. He took out a pocket watch from its pocket. Finding that the time of the pocket watch is going backwards, so he continued to walk forward, encountering all kinds of strange and complicated people and things, an absurd and surreal adventure unfolded."The Defense of the Young Executioner" was recognized internationally. Zuraček’s most perfect film masterpiece is the most important and “notorious” work of the Czech New Wave movie movement in the 1960s. This fanatical and bizarre political satire was completed after the Soviet tank invasion. It was immediately banned by the authorities after it was released, and Zuraček's film career was forever ended. Bold, innovative and absolutely absurdistic images,"Defense for the Young Executioner" is the craziest adaptation of Gulliver's Wanderings in film history. The whole film is almost free from all the forms and constraints of plot and thinking logic. Let the audience fully enter a fantasy world of symbolism and symbolism. As recognized in the history of film as"one of the greatest surrealist film masterpieces", this film presents us with countless weird and metaphorical images, a rabbit in clothes, a college specializing in invention and creation. But all the students in it never speak, an exquisite"hand-powered" thought machine, a country without the ninth month of the year (in order to avoid the flu epidemic). . . Our hero Gulliver experienced and discovered all this during his journey from Lilliputian to Balnibari to Leptel."This film contains all the absurd drama elements, surrealist elements and satire elements that can exceed your imagination. It is a perfect fusion of utopian political satire and grotesque fairy tales." (Rotterdam International Film Festival comment) About the director: Pavel Zuraček (1935-1989), a genius director/screenwriter/producer in the Czech New Wave Film Movement, known as the"true soul of the Czech New Wave Film Revolution", as the whole of Eastern Europe One of the most unique playwrights in the film renaissance movement. He has created several films that occupy an important position in the history of Czech and Eastern European cinema. In 1963, he wrote the screenplay and directed Jindrich Polak's"Ikarie XB-1". One of Rick’s ten most beloved films, and also the source of inspiration for his creation of"2001: A Space Odyssey." In 1964,"The Jester\'s Tale" created for the Czech animation master Karl Zeman is a fusion of animation , A fantasy classic of real-life and peculiar photography. In 1966, he co-created"Daisies" with another famous New Wave playwright, Ester Krumbachova. Directed by Vera Chytilova, it became the most unique masterpiece in the New Wave. Later, he wrote his best work"End of August at the Hotel Ozone" for Czech science fiction film master Jan Schmidt; as a producer, he is Vera Chytilova's masterpiece"The Fruit of Paradise" (1969) and Jiri Menzel's best Executive producer of the legendary film"Lark on the Strings" (filmed in 1969 and lifted in 1990); as an innovative film director, he only shot two feature films and one short film in his life Because of the criticism and satire of communism and totalitarianism in"Defense for the Young Executioner" in 1969, the film was banned by the authorities and Zuraček was forever prohibited from making any more films. Two years later, Zuraček was also taken He was relieved of his work in the Barrandov film studio. In 1977, he was forced to go into exile in West Germany. After six years of unwilling life, he returned to his motherland but still did not see the hope of recreating the film. In 1989, he was in Czech communism. On the eve of the fall of the regime, the gloomy Zuraček closed his eyes forever in Prague. He was only 54 years old. He became the rare Czech film director who was banned from filming for life under the 20-year communist totalitarian dictatorship of the Czech Republic. The sorrow passed away, and it was later recognized that totalitarianism destroyed and trampled all artistic creations and the worst casualties committed by excellent filmmakers. Since then, the world has lost an innovative and unique personal style. Rini's comparable film genius. Throughout his film career, almost every work he created can be called a classic, especially his only two directorial works are full of fantastic film masterpieces, and because his films are very few and extremely It’s so hard to see that the movie wizard is still unknown to this day. In August 2004, the famous CINEMATHEQUE experimental theater line in New York and the Prague National Film Archive co-hosted Zulaček’s film retrospective in both places, named" Defence Pavel Zulaček-Rediscovering a Czech New Wave Film Master", recommending and remembering the Eastern European movie wizard who died young. A bit of personal feeling: Zuraček’s second feature film in"Defense of the Young Executioner" is also his last work, and is recognized by later generations as the most unique new wave after Zitilova's"Daisy" Movies, and the screenwriters of the two films are both Zulacek. The film showed us a peculiar surreal world from the very beginning. A man drove a car on a deserted country mountain road. Suddenly the car rolled down the valley. The camera turned and the man opened his eyes. In a dream, the man continued to walk forward. A clothed rabbit died in the middle of the road. The man leaned over and took out a pocket watch in his clothes pocket. He suddenly found that the pointer was turning backwards. The man continued to walk across a field. , Came to an empty white building, walked in, it was chaotic, and there was a dress exactly like the rabbit on the wall. The man naturally went up to touch his pocket, and suddenly countless butterflies flew out of his pocket. The man instinctively He closed his eyes, and when he opened his eyes again, all the messy things disappeared, but he was in a spotless white hall. . . After that, the floor that was shaking suddenly, fell from the roof but suddenly entered a strange room, a group of people looked up and watched the hanging of a cow. . . Countless symbolic pictures and superb editing skills make this film a masterpiece that speaks entirely with images. This film is no less than Bunuel and Dali’s"Andaluo" in terms of surreal images."Dog" or"Golden Age", and the bull sent to the gallows implies the ultimate fate of totalitarianism. The exquisite and creative photography in the film comes from the famous new wave cinematographer Jan Kalis.
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